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Miraj, a historic town in Maharashtra, is renowned for its rich cultural heritage and its significant contribution to Hindustani classical music, particularly in the craftsmanship of Tanpuras. This tradition spans centuries, with the art of musical instrument making passed down through generations of dedicated artisans.

My recent visit to the tomb of Abdul Karim Sahib, a revered figure in the local community, marked the beginning of an exploration into this musical heritage. After paying my respects, I proceeded to Balasaheb Mirajkar’s workshop, where the tradition of Tanpura making thrives. Balasaheb, also known as Niyaz Ahmed Omar Saheb, is a master craftsman whose family has been engaged in this craft for many generations. His expertise in crafting Tanpuras has earned him recognition across India.

Tanpuras from Miraj are particularly valued for their exceptional sound quality, making them popular among musicians in Kolkata and beyond. The process of creating these instruments is not merely carpentry; it is a spiritual practice deeply intertwined with music itself. Balasaheb’s two sons have also mastered the craft and expanded their skills to include other string instruments, such as sitars. Their work is appreciated not only in India but is also gaining international acclaim, with Miraj-made Tanpuras sought after as far away as Peru.

Despite the growing demand, the future of this craft faces significant challenges. Many veteran craftsmen are approaching retirement age, and without new artisans to take up the trade, this cherished tradition risks fading away. In response, Balasaheb is actively seeking support from the government and other stakeholders to preserve this invaluable cultural heritage. He is advocating for the establishment of a workshop and training center where younger generations can learn the art of Tanpura making, ensuring the continuity of this age-old craft.

Recognizing the importance of this initiative, the Maharashtra government has allocated land for the development of a training facility in Miraj. This center will serve as a hub for the revival and continuation of the musical instrument-making tradition. The goal is not only to train new artisans but also to provide pensions for retired craftsmen, honoring their contributions and ensuring their well-being.

The initiative requires more than just land; it necessitates adequate funding and comprehensive support from both the government and private sectors. Financial assistance is crucial for establishing the necessary infrastructure, procuring materials, and offering training programs that will attract young talent to the field. Balasaheb is reaching out to various authorities, including members of Parliament and cultural leaders, to secure these resources. His efforts aim to ensure that Miraj retains its reputation as a center of musical craftsmanship and continues to contribute to the global appreciation of Indian classical music.

Preserving this craft holds cultural and artistic significance that extends beyond India’s borders. The Tanpuras crafted in Miraj are more than mere instruments; they symbolize the town’s dedication to music and craftsmanship. By keeping this tradition alive, Miraj’s artisans can continue to enrich the world of music, allowing future generations to experience the unique sound and quality of these handcrafted instruments. As efforts to support and revive this craft gain momentum, the initiative in Miraj stands as a testament to the enduring power of cultural heritage. By investing in the preservation of traditional crafts like Tanpura making, India not only safeguards its cultural identity but also enhances global appreciation for its rich artistic traditions. Balasaheb’s dedication to this cause exemp-lifies a commitment to keeping the legacy of Miraj alive, ensuring that its music resonates across the world for years to come.